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Verostko Center for the Arts

6928 Thomas Boulevard: Memories of a Pittsburgh Boyhood, 04/09/26

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Brother Elliott’s latest book, 6928 Thomas Boulevard: Memories of a Pittsburgh Boyhood, offers readers a heartfelt glimpse into the happy childhood of a Catholic boy growing up in 1950s Pittsburgh. Far from a documentary or a work of fiction, the memoir presents the recollections of “Buddy” Maloney, his family life on North Point Breeze, neighborhood adventures with friends, and school experiences from kindergarten through eighth grade. The narrative warmly recalls the nuns at Holy Rosary School, parish life, and the Church's central role in family and community life.
6928 Thomas Boulevard is available in paperback and hardcover editions and can be purchased at major booksellers, the Saint Vincent College bookstore, and through Archabbey Publications.
 
For more information about 6928 Thomas Boulevard and the author, visit www.6928thomasboulevard.com.

Medieval Revivals and the Climate of Devotion, 03/12/26

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The Verostko Center for the Arts at Saint Vincent College was pleased to co-host a free public lecture with Virginia Raguin, Ph.D., Professor of Humanities Emerita at the College of the Holy Cross in Worcester, MA, on the topic of Medieval Revivals and the Climate of Devotion on Thursday, March 12, 2026. A recording of the lecture is now available for viewing.
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Dr. Raguin explored how revival styles shaped architecture and stained glass in the late nineteenth and early twentieth centuries, highlighting the work of the Pitassi Studio and its connections to European and American traditions. The lecture was followed by a reception.

Day Without Art, 10/1/2025

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On Thursday, December 4th, the Verostko Center for the Arts hosted a talk by Jeff Martin, history major and Verostko Center staff member, on “Degenerate Art” and how works are labeled, censored, and politicized. Using Dancer in Front of the Stairs as a case study, Jeff explored the forces behind artistic suppression.
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The event was part of Day Without Art, observed on December 1st as a national day of mourning and action in response to the AIDS crisis. In observance, Dancer in Front of the Stairs was initially covered and then revealed to highlight themes of visibility, loss, and artistic freedom.

The (Re)cited Garden: Chinese Gardens, Memory, and Identity, 10/16/25

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The Verostko Center for the Arts and the Loe Center for China Studies at Saint Vincent College were pleased to host a free public lecture by Carol Brash, Ph.D., Associate Professor of Art History at the College of Saint Benedict and Saint John's University in Collegeville, Minnesota, on the topic “The (Re)cited Garden.” 

​Dr. Brash’s talk examined how designers of Chinese-style gardens in the United States confront the tension between historical memory and contemporary identity, weaving together art, history, and cross-cultural belonging. 
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Beyond Paris / British Impressionists in the Rusinko Kakos Collection / Jennifer Thompson, Ph.D.

Dr. Thompson’s lecture explores how British painters before World War I absorbed and transformed Impressionism’s focus on color, atmosphere, visible brushwork, and modern life - creating works with both local character and global resonance, illustrated with selections from the Rusinko Kakos Collection. The lecture questions “What is Impressionism?” in light of its international spread from pioneering French artists such as Monet, Pissarro, Degas, and Renoir.  A recording of the lecture is now available on the Saint Vincent College YouTube channel.
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Dr. Thompson earned her M.A. and Ph.D. at the University of St. Andrews in Scotland. Since joining the European Painting and Sculpture Department in 1999, she has played an essential role in interpreting, displaying and developing the museum’s collections of European art. She has published widely and curated many notable exhibitions, including The Impressionist’s Eye (2019), Old Masters Now: Celebrating the Johnson Collection (2017), Discovering the Impressionists: Paul Durand-Ruel and the New Painting (2015), Van Gogh Up Close (2012) and Late Renoir (2010). She is also curator of the Rodin Museum in Philadelphia.

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