6928 Thomas Boulevard: Memories of a Pittsburgh Boyhood, 04/09/26
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Brother Elliott’s latest book, 6928 Thomas Boulevard: Memories of a Pittsburgh Boyhood, offers readers a heartfelt glimpse into the happy childhood of a Catholic boy growing up in 1950s Pittsburgh. Far from a documentary or a work of fiction, the memoir presents the recollections of “Buddy” Maloney, his family life on North Point Breeze, neighborhood adventures with friends, and school experiences from kindergarten through eighth grade. The narrative warmly recalls the nuns at Holy Rosary School, parish life, and the Church's central role in family and community life.
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6928 Thomas Boulevard is available in paperback and hardcover editions and can be purchased at major booksellers, the Saint Vincent College bookstore, and through Archabbey Publications.
For more information about 6928 Thomas Boulevard and the author, visit www.6928thomasboulevard.com.
For more information about 6928 Thomas Boulevard and the author, visit www.6928thomasboulevard.com.
Medieval Revivals and the Climate of Devotion, 03/12/26
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The Verostko Center for the Arts at Saint Vincent College was pleased to co-host a free public lecture with Virginia Raguin, Ph.D., Professor of Humanities Emerita at the College of the Holy Cross in Worcester, MA, on the topic of Medieval Revivals and the Climate of Devotion on Thursday, March 12, 2026. A recording of the lecture is now available for viewing.
Dr. Raguin explored how revival styles shaped architecture and stained glass in the late nineteenth and early twentieth centuries, highlighting the work of the Pitassi Studio and its connections to European and American traditions. The lecture was followed by a reception. |
Day Without Art, 10/1/2025
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On Thursday, December 4th, the Verostko Center for the Arts hosted a talk by Jeff Martin, history major and Verostko Center staff member, on “Degenerate Art” and how works are labeled, censored, and politicized. Using Dancer in Front of the Stairs as a case study, Jeff explored the forces behind artistic suppression.
The event was part of Day Without Art, observed on December 1st as a national day of mourning and action in response to the AIDS crisis. In observance, Dancer in Front of the Stairs was initially covered and then revealed to highlight themes of visibility, loss, and artistic freedom. |