Exhibitions
East Meets West: Women Icon Makers of West Ukraine / September 8 - November 18
East Meets West pays tribute to eight innovative artists, students of a new school of iconography in the cultural center of Lviv, Ukraine, who blend traditional Byzantine iconography, modernist painting techniques and elements of Eastern European folk art to visualize Christian narratives as both ancient and accessible. In a field historically dominated by men, these women are boldly elaborating on historical conventions, viewing the practice of icon making as a living tradition that entices prayer and contemplation.
The intermingling of cultures and faith traditions in the regions at Ukraine’s western border has given rise to a style of sacred art unique in the Christian World, rooted in Ukrainian Greek Catholicism, a branch of the Catholic Church that embraces the Eastern Orthodox form of worship and the veneration of icons. Suppressed in the Communist era, Ukrainian Greek Catholicism has experienced a renaissance since Ukraine became an independent nation in 1991 and pursued a course of democratization and integration with Europe, now in jeopardy as Russia moves to reassert control over the country.
The intermingling of cultures and faith traditions in the regions at Ukraine’s western border has given rise to a style of sacred art unique in the Christian World, rooted in Ukrainian Greek Catholicism, a branch of the Catholic Church that embraces the Eastern Orthodox form of worship and the veneration of icons. Suppressed in the Communist era, Ukrainian Greek Catholicism has experienced a renaissance since Ukraine became an independent nation in 1991 and pursued a course of democratization and integration with Europe, now in jeopardy as Russia moves to reassert control over the country.
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Although trained in the theological and artistic canons of iconography, these artists bring a modern perspective to ancient religious symbols, using different mediums, techniques, and color palettes, creating contemporary variations on time-honored themes. These new icon makers have pushed the boundaries of this conservative sacred art form in ways inspired by both modern art and folk traditions. This new freedom and recognition in the realm of icon making has come through a long and harrowed history in Ukraine, especially due to its relationship to Russia and the former Soviet Union.
Throughout the duration of the exhibition, a free-will offering will be collected to benefit Ridni Charitable Fund, an organization in Lviv that supports children who have been orphaned or displaced as a result of the war. East Meets West has been curated by John A. Kohan, art collector, writer and former “Time Magazine” foreign correspondent to Russia. Kohan is the owner of the Sacred Art Pilgrim Collection from which the icons on view derive. Kohan notes that, "the freedom to develop individual styles and signed finished pieces has given women, who were always anonymous icon makers, the chance to come out of the shadows and be recognized." . |
Image 1: Ulyana Tomkevych (b. 1981), The Life of St. Nicholas, 2016, tempera on gessoed wood, 45 x 44.5 cm / 18 x 18 in. Courtesy of the Sacred Art Pilgrim Collection. Image 2: Kateryna Kuziv (b. 1993), The Nativity, 2018, tempera on gessoed wood, 30 x 30 cm / 12 x 12 in. Courtesy of the Sacred Art Pilgrim Collection. Image 3: Kateryna Shadrina (b. 1995), We Are Together, 2022, acrylic on gessoed wood, 30 x 30 cm / 12 x 12 in. Courtesy of the Sacred Art Pilgrim Collection. Image 4: Hlafira Shcherbak (b. 1995), The Transfiguration, 2020, acrylic on gessoed wood, 40 x 40 cm / 16 x 16 in. Courtesy of the Sacred Art Pilgrim Collection.
Royal Patronage: Selections from the King Ludwig I of Bavaria Gift
Fall 2020 - Ongoing
Fall 2020 - Ongoing
By 1852, Saint Vincent had begun to receive shipments of artwork, musical instruments, and books gifted to the nascent community through the auspices of King Ludwig I of Bavaria. Employed for their educative and elevative potential, these items were linked to the promulgation of German identity and culture in America. Royal Patronage: Selections from the King Ludwig I of Bavaria Gift traces an important link between America’s first Benedictine community and its royal Bavarian benefactor.
