Upcoming Exhibitions
Roman Verostko and the Cloud of Unknowing: From Ideas in Mind to Ideas in Code
Fall 2020
Roman Verostko (born 1929) is an internationally recognized figure in the development of generative, algorithmic art. Unlike many of his contemporaries who came from engineering and computer science backgrounds, Verostko was a Benedictine monk at Saint Vincent Archabbey and a professionally-trained painter and scholar well-versed in the history of art, philosophy, logic, and theology before he started to work with electronic and digital media in the late 1960s.
Curated by Kerry Morgan and Melanie Pankau at Minneapolis College of Art and Design, the exhibition features over seventy original works from Saint Vincent’s holdings, encompassing Verostko’s early screen/video pieces, electronic machines, mural projects, artist books, and newer editioned prints. Rather than a strict chronological retrospective, the exhibition is organized around major themes that appear throughout Verostko’s work, such as his search for pure form, his interest in logic, his merging of eastern and western aesthetics and philosophy, and his understanding of his home “Pathway Studio" as a modern day electronic scriptorium.
A full-color, 168-page exhibition catalog accompanies the retrospective, featuring three essays by leading scholars Christiane Paul (professor in the School of Media Studies at The New School and adjunct curator of New Media Arts at the Whitney Museum of American Art), Grant D. Taylor (professor of Art History at Lebanon Valley College, Pennsylvania) and Bruce Wands (former director, New York Digital Salon and chair of the MFA Computer Art Department at the School of Visual Arts).
View the images of the installation, read the exhibition catalog, and watch a panel discussion featuring new media scholars sharing the significant contributions Verostko has made to the field of digital arts.
Fall 2020
Roman Verostko (born 1929) is an internationally recognized figure in the development of generative, algorithmic art. Unlike many of his contemporaries who came from engineering and computer science backgrounds, Verostko was a Benedictine monk at Saint Vincent Archabbey and a professionally-trained painter and scholar well-versed in the history of art, philosophy, logic, and theology before he started to work with electronic and digital media in the late 1960s.
Curated by Kerry Morgan and Melanie Pankau at Minneapolis College of Art and Design, the exhibition features over seventy original works from Saint Vincent’s holdings, encompassing Verostko’s early screen/video pieces, electronic machines, mural projects, artist books, and newer editioned prints. Rather than a strict chronological retrospective, the exhibition is organized around major themes that appear throughout Verostko’s work, such as his search for pure form, his interest in logic, his merging of eastern and western aesthetics and philosophy, and his understanding of his home “Pathway Studio" as a modern day electronic scriptorium.
A full-color, 168-page exhibition catalog accompanies the retrospective, featuring three essays by leading scholars Christiane Paul (professor in the School of Media Studies at The New School and adjunct curator of New Media Arts at the Whitney Museum of American Art), Grant D. Taylor (professor of Art History at Lebanon Valley College, Pennsylvania) and Bruce Wands (former director, New York Digital Salon and chair of the MFA Computer Art Department at the School of Visual Arts).
View the images of the installation, read the exhibition catalog, and watch a panel discussion featuring new media scholars sharing the significant contributions Verostko has made to the field of digital arts.
Royal Patronage: Selections from the King Ludwig I of Bavaria Gift
Fall 2020 - Ongoing
By 1852, Saint Vincent had begun to receive shipments of artwork, musical instruments, and books gifted to the nascent community through the auspices of King Ludwig I of Bavaria. Employed for their educative and elevative potential, these items were linked to the promulgation of German identity and culture in America. Royal Patronage: Selections from the King Ludwig I of Bavaria Gift traces an important link between America’s first Benedictine community and its royal Bavarian benefactor.
Fall 2020 - Ongoing
By 1852, Saint Vincent had begun to receive shipments of artwork, musical instruments, and books gifted to the nascent community through the auspices of King Ludwig I of Bavaria. Employed for their educative and elevative potential, these items were linked to the promulgation of German identity and culture in America. Royal Patronage: Selections from the King Ludwig I of Bavaria Gift traces an important link between America’s first Benedictine community and its royal Bavarian benefactor.
Arrayed in Gold: Icons from the Anna and Tadeusz Kozminski Collection
Fall 2020
Experience the beauty of traditional Coptic, Byzantine, and Orthodox iconography. Collected on behalf of Anna and Tadeusz Kozminksi over forty years, these 19th and 20th century religious images function as powerful visual testaments of faith and windows to the Divine.
Fall 2020
Experience the beauty of traditional Coptic, Byzantine, and Orthodox iconography. Collected on behalf of Anna and Tadeusz Kozminksi over forty years, these 19th and 20th century religious images function as powerful visual testaments of faith and windows to the Divine.
